Art, design, and visual culture

Art, design, and visual culture

‘Little Beasts’ Is a First-of-Its-Kind Museum Collaboration Reveling in Art and the Natural World

During the 16th and 17th centuries, major developments in colonial expansion, trade, and scientific technology spurred a fervor for studying the natural world. Previously unknown or overlooked species were documented with unprecedented precision, and artists captured countless varieties of flora and fauna in paintings, prints, and encyclopedic volumes...
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Who Shot Me? Help Identify the Anonymous Photographer Who Captured 1960s San Francisco

Between 1966 and 1970, a San Francisco-area photographer captured thousands of images documenting civil rights demonstrations, protests against the Vietnam War, Grateful Dead concerts in Golden Gate Park, and so much more. Their archive is a veritable treasure trove of the era’s counter-culture and evidence of their willingness to put themself in the middle of the action to get the perfect shot. ..
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Porcelain Vessels Are Portals Through Time and Space in Paintings by Sung Hwa Kim

In the late 17th century, during Korea’s Joseon Dynasty, a particularly rotund, plain white porcelain vessel rose to popularity. Nicknamed “moon jars” for their milky glaze and spherical form, the earliest examples were finished in wood-fired kilns to add character to their minimalist surfaces. Treasured and reproduced by skilled artisans throughout the centuries, the classic style continues to influence contemporary artisans...
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Sparse Brushstrokes Give Rise to Thick Impasto in Jose Lerma’s Minimal Portraits

When Jose Lerma encountered “Reception of the Grand Condé by Louis XIV” by Jean-Léon Gérôme at the Musée d’Orsay in Paris, he found himself drawn to the figures tucked far behind the crowd. Known for his meticulous realism, Gérôme rendered these small characters with minimal brushstrokes, a decision that has influenced Lerma’s work for more than a decade...
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Keita Morimoto Lingers in the Artificial Light of Urban Nights

Cities are constantly in flux, but Keita Morimoto (previously) invites us to linger in their transitions a little longer. The artist renders corner stores, vending machines, and lampposts that illuminate spaces that might otherwise go unnoticed. Either unoccupied or inhabited by just one or two people, Morimoto’s scenes are dimly lit but not eerie and invoke the environments most of us engage with for just a moment...
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